Stop your crying! Here’s the new trailer for Coyote.
The state of contemporary mainstream filmmaking is a farce. Bloated budgets, excessive commercialization, and pandering to the general audience has driven the mindful viewer to other media for intellectual stimulation. We live in an era that, as we’ve been told, would bring about a democratization of film, yet the same mindless drivel is defecated from major studios, and the amateur filmmaker tries his damnedest to shape his own feces into something representative of that. Enough shit! Enough with the hackneyed garbage scripts about cops and robbers, a man and woman falling in love, and flatulence to appeal to the 3 year old in the audience.
Let’s not rebuild the industry. It’s too far gone. Instead, let us embrace the past and build a new future: one that treats the medium of film as an art, not a business; one that empowers the filmmaker over his lofty financers and frees him to create whatever, however he chooses. For an audience that is finally media literate, we must create content to accommodate this literacy, and cease the cultivation of values considered proper by social norms.
We must disregard regulation of our art. The re-editing of a film for an American television audience is revolting. Never should the message be altered to shelter the viewer from art, or worse yet, to inject commercial advertisements. Television and multiplexes should not be the preferred avenue of distribution for filmmakers. They reinforce the flawed regulation and censorship that has plagued the independent filmmaker by influencing the social arena of filmmaking.
Let us then define ourselves as something outside the studio’s influence. “Independent” was stolen from us before many even had access to a camera. We are true independents, with zero connection to any major studio, and starting now, we will no longer behave in a manner that perpetuates the studio’s agenda.
We encourage you to join us. Wake up from the nightmare of viewers judging you for creating art that doesn’t resemble a “regular movie.” Forget the ridiculous idea that you can’t make something worthwhile without a budget. Dust off your dirty old camcorder, and capture moving images that stimulate you, and piece them together in a way that stimulates you further. Revolt against the studios and false independents, and inspire others to join the revolution.
I hereby pledge my allegiance to the DIY Kino Manifesto.
Art-house structuralists? Yeah, basically. Carlsson, Larsen, and I (also a plethora of yet unnamed filmmakers) have been making films in really similar ways for years now. Our films are sometimes radically different in terms of content and style, but we all agreed on a few basic principles in guiding our present and near future methods of production. I think it’s strongest concept is empowering the artist. You must write, direct, and edit your films. It’s that kind of personal touch in every nuance of a film that creates a unique experience for the viewer. It may not necessarily be “good,” but certainly unique. Isn’t that what film fans have been clamoring for?
I’ve had several distractions lately from Coyote, but I think it’s put me in a good place to get some major work done over the next week. I sat down with composer, Michel Schiralli, yesterday to watch the current cut of the film. I seem to have forgotten that I’ve color graded almost all of the footage already. It looks pretty nice, but sounds really awful. There’s a LOT of audio work still, including ADR with Bill Finkbiner that he probably doesn’t even know about yet. Sorry Bill. He hates ADR.
In my absence, Mr. Oberst has done some nice PR for us. He pushed a rough scene from the film at a horror convention somewhere in Middle America. According to him, it caught people’s attention, but I can’t help but think he’s a little biased about the project. 😉
So off we go on a trailer! I have a teeny-tiny idea of how to go about editing this, but hopefully a lightening bolt of inspiration strikes my brain soon. Mike JUST sent me a rough version of some music for said trailer. This is going to be great.
Speaking of brains, a pickup FX shot of a human brain should be done soon. I just picked up the mold to put it all together. Originally the idea was to use an animal brain, but there are more issues trying to pull that off than I care to list.
Here’s a photo for Mr. Finkbiner to keep him from killing me during our future ADR session. This is one of those f/.75 campfire shots that Nick developed. The only existent light source is a fire. Flickerbox? Don’t be a noob.